This can partly be attributed to the casting process; details are invariably slightly changed or even lost due to the bronze shrinking as it cools. In Unique Forms of Continuity in Space, Boccioni presents viewers with a human figure with deconstructed masses that appear to be aerodynamic. One bronze cast is in the Krller-Mller Museum in Otterlo, Netherlands. pl.58; Maria Drudi Gambillo and Teresa Fiori (ed. The figure's marching form appears easily manipulated by the force of wind around it, while its metal contours allude to the power of machinery. Marinetti was the first to cast the work in bronze in 1933. ), Archivi del Futurismo (This entry has been compiled with considerable help from Judith Cousins). Boccioni: Unique Forms of Continuity in Space (Tate Modern Masterpieces) [Golding, John] on Amazon.com. (Rome 1958), Vol.1, p.287; ibid. Unique Forms of Continuity in Space ( Italian: Forme uniche della continuit nello spazio) is a 1913 bronze Futurist sculpture by Umberto Boccioni. Umberto Boccioni (1882-1916), Forme uniche della continuit nello spazio (Unique Forms of Continuity in Space), conceived in 1913 and cast in 1972. . Forme uniche della continuit . In the early years of the twentieth century, industrialisation swept across Italy. Marinetti was the first to cast the work in bronze in 1933. The figure is also armless and without a discernibly real face. Two also were made in 1972, one of which is displayed at the Tate Modern in London. Unique form of continuity in space is a bronze sculpture that Umberto Boccioni created in 1913. Dinamismo di forme e luce nello spazio Created around the same time. As a pedestal, two blocks at the feet connect the figure to the ground. However also in 1972 the Galleria La Medusa in Rome commissioned a further, , Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.60-1, reproduced p.60, Study for Monument to The Spirit of Enterprise, Creative Commons CC-BY-NC-ND (3.0 Unported), Barbara Hepworth Museum and Sculpture Garden. His work is centred on the portrayal of movement speed and technology and therefore his work on futurism represents the present and rejects the past (3). "[2] The following year Boccioni completed the sculpture. Unique Forms of Continuity in Space By tremblingmoon 1. (Milan 1969), No.166, p.111, the Mattioli bronze repr. [14], Museu de Arte Contempornea da Universidade de So Paulo, "Umberto Boccioni: Unique Forms of Continuity in Space", "Umberto Boccioni and 100 years of Futurism", "Umberto Boccioni. In Unique Forms of Continuity in Space, the figure is aerodynamically deformed by speed. The sculpture may reflect ideas of the mechanised body that appeared in futurist writings, as well as the 'superman' envisaged by the philosopher Friedrich Nietzsche. pls.228-31 and p.476, pl.521; Marianne W. Martin. The Tate Gallery 1972-4 Two further casts have since been made from it at the Fundio Artistica em Bronze Alberta Luiza Lazzeroni Benedetti in So Paulo, one in 1960 now in the Museum's collection and this one in 1972 specially for the Tate Gallery. The work looks completed, in a good condition with no significant damage. Umberto Boccioni, "Dynamism of a Soccer Player" Gino Severini, Dynamic Hieroglyph of the Bal Tabarin. [1] The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin . Scan The World. Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.60-1, reproduced p.60, Bronze, 44 7/8 x 33 1/8 x 14 1/2 (114 x 84 x 37) excluding flat part of base; height including base plane 46 1/2 (118), Purchased from Alistair McAlpine (Grant-in-Aid) 1972, Museu de Arte Contempornea da Universidade de So Paulo (cast from the original plaster in their collection specially for the Tate Gallery 1972); Alistair McAlpine, London, , Hayward Gallery, London, July-September 1973 (62, repr.). ), , Guggenheim Museum, New York, November-December 1973, p.72, Winston-Malbin cast repr. Wall Art and Prints since 2004. We would like to hear from you. Scan the World > North America > New York > MoMA. Unique Forms of Continuity in Space. Umberto Boccioni. Max Carter, Christie's Head of Impressionist and Modern Art in New York, tells the story of a career-defining Futurist work, made just two years before the a. . But historical photographs make it clear that it has been heavily restored over the years. (Rome 1953), p.27, one of the early casts without the base repr. Boccioni, though trained as a painter, began sculpting in 1912. *FREE* shipping on qualifying offers. (None of Boccioni's sculptures seem to have been cast in bronze during his lifetime). Overall, the emerging 1913 Unique Forms of Continuity in Space is much tauter and has sharper defined lines than the restored plaster, not to mention the bronzes. Bronze, 44 7/8 x 33 1/8 x 14 1/2 (114 x 84 x 37) excluding flat part of base; height including base plane 46 1/2 (118) Looking at Jackson Pollock, The Painting Techniques of Jackson Pollock, Paint Application Studies of Jackson Pollocks, The Painting Techniques of Barnett Newman. Title: Unique Forms of Continuity in Space; Creator: Umberto Boccioni; Date Created: 1913, cast 1950; Physical Dimensions: 47 3/4 x 35 x 15 3/4 in. It was first exhibited in Boccioni's one-man show of sculpture at the Galerie La Boetie in Paris in June-July 1913 and was reproduced in his book Pittura Scultura Futuriste: Dinamismo Plastico (Milan 1914) with the date 1913. Title: Unique Forms of Continuity in Space; Creator: Umberto Boccioni; Date Created: 1913, cast 1950; Physical Dimensions: 47 3/4 x 35 x 15 3/4 in. There is no known record of Boccioni himself wanting to cast any of his plaster sculptures in metal during his lifetime, so the fact that Unique Forms of Continuity in Space is today almost universally represented as a bronze sculpture is not according to his wishes. Unique Forms of Continuity in Space. - undulating surface transforms before our eyes- drive - distils it to most essential qualities to show this- no arms-> focus of energy, conveying a clear essential idea rather than physical realities - large void between two parted legs - 2 feet flat on floor = unrealistic when walking yet converts power in stride Quote on movement The parabolic curves of the engine's rotation remind Kaylee of Spring: inevitable but fickle, infinitely intricate but so simplelife and death and breathing, round and round, and a soft hum that only she perceives as music, as language, as everything. Then in 1949 Signora Marinetti had two further bronze casts made by the foundry Giovanni and Angelo Nicci, Rome, which this time include the base, like the original plaster. Ours is a search for the definitive, through a succession of intuitive stages ', It was first exhibited in Boccioni's one-man show of sculpture at the Galerie La Boetie in Paris in June-July 1913 and was reproduced in his book, (Milan 1914) with the date 1913. The powerful body in action has the muscular look of a man. Umberto Boccioni's Unique forms of Continuity in Space (Fig. In Unique Forms of Continuity in Space, the figure is aerodynamically deformed by speed. files-boccioni-1. Published 2017-04-27T16:37:17+00:00. [5], Though Boccioni apparently reviled traditional sculpture, Unique Forms of Continuity in Space does resemble more realist works. Analytical Cubism [9] Another eight, in 1972, were made not from the plaster original, but from one of the 1949 bronze casts. 1913, Not inscribed Read More discussed in biography In Umberto Boccioni A brief introduction of Umberto Boccioni and a discussion of his Unique Forms of Continuity in Space Image released under Creative Commons CC-BY-NC-ND (3.0 Unported). In 1913, Boccioni used sculpture to further articulate Futurist dynamism with his work Unique Forms of Continuity in Space (1913) with sought to present Contents 1 History 2 Composition 3 Original plaster and casts Art in Italy: Unique Forms of Continuity in Space is a 1913 bronze Futurist sculpture by Umberto Boccioni. Lit: About the Artist. Skip to main content. pls.165-7 and frontispiece in colour; Aldo Palazzeschi and Gianfranco Bruno, L'Opera Completa di Boccioni (121.3 x 88.9 x 40 cm) Type: Sculpture; . He referred to it in a letter of 4 September 1913 as 'my latest and most liberated work' (, In 1952 Signora Marinetti sold the original plaster of this and of Boccioni's other most important sculpture 'Development of a Bottle in Space' to the Brazilian industrialist Francisco Matarazzo Sobrinho, who gave them with his entire collection to the Museu de Arte Contempornea da Universidade de So Paulo in 1963, when the Museum was founded. catalogue Futurism: A Modern Focus, Guggenheim Museum, New York, November-December 1973, p.72, Winston-Malbin cast repr. In 1952 Signora Marinetti sold the original plaster of this and of Boccioni's other most important sculpture 'Development of a Bottle in Space' to the Brazilian industrialist Francisco Matarazzo Sobrinho, who gave them with his entire collection to the Museu de Arte Contempornea da Universidade de So Paulo in 1963, when the Museum was founded. [11], In 2009 Italian composer Carlo Forlivesi in collaboration with Stefano Fossati, Director of the Italian Cultural Institute in Melbourne, created an international composition competition and workshop titled Unique Forms of Continuity in Space (Forme Uniche della Continuit nello Spazio), commemorating the hundredth anniversary of Italian Futurism. Title: Unique Forms of Continuity in Space; Creator: Umberto Boccioni; Date Created: 1913, cast 1950; Physical Dimensions: 47 3/4 x 35 x 15 3/4 in. [1] The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin. There is no record of where or when it was made, but most probably this was about 1925-6. p.5; R.W. Boccioni exaggerated the bodys dynamism so that it embodied the urge towards progress. His original plaster is displayed at the Museu de Arte Contempornea in So Paulo. Boccioni, though trained as a painter, began sculpting in 1912. Bronze, 43 7/8 x 34 7/8 x 15. 'This has suggested to us the notion of force-lines, which characterize the object and enable us to see it as a whole - it is the essential interpretation of the object, the perception of life itself. Published in: Two further casts have since been made from it at the Fundio Artistica em Bronze Alberta Luiza Lazzeroni Benedetti in So Paulo, one in 1960 now in the Museum's collection and this one in 1972 specially for the Tate Gallery. Dinamismo di forme e luce nello spazio Created around the same time. provide a synthesis of those transformations undergone by an object due to its twin motions, one relative, the other absolute 'Hence, for us, the object has no form in itself; the only definable thing is the line which reveals the relationship between the object's weight (quantity) and its expansion (quality). Forme uniche della continuit . Unique Forms of Continuity in Space | Analysis Paper in Analysis essays The art of the beginning of the 20th century is known for its variety of movements, innovation, and expressiveness. This, his largest surviving piece, was preceded by three other sculptures of full-length striding figures which are now known only from photographs, 'Synthesis of Human Dynamism', 'Speeding Muscles' and 'Spiral Expansion', with which he worked step by step towards the final dynamic synthesis. With a name which brings to mind Boccioni's piece, the initiative, organised on an annual basis, celebrates the power of musical composition mingled with the strength of the Italian language. The original plaster still exists in the Museu de Arte Contempornea in So Paulo, Brazil. Unique form of continuity in space is a bronze sculpture that Umberto Boccioni created in 1913. He exclaimed that "these days I am obsessed by sculpture! 3D. It does not depict a particular person at a specific moment, but rather synthesizes the process of walking into a single body. p.232 (pls.332-4); Guido Ballo, Boccioni: La Vita e l'Opera (Milan 1964), No.521, pp.336-7, 502, Mattioli cast repr. Be the first to share a picture of this printed object. (London 1975), p.22. Unique Forms of Continuity in Space (Italian: Forme uniche della continuit nello spazio) is a 1913 bronze Futurist sculpture by Umberto Boccioni.It is seen as an expression of movement and fluidity. These now belong to Paolo Marinotti, Milan, and Dr and Mrs Barnett Malbin (The Lydia and Harry Lewis Winston Collection), New York. As a pedestal, two blocks at the feet connect the figure to the ground.The figure is also armless and without a discernibly real face. 20-12) illustrates the principles of ______ Analytic Cubism Picasso and Braque co-founded ________ in 1910 Cubism Picasso's ________ showed the influence of African, Oceanic, and Iberian art. Boccioni, who sought to infuse art with dynamism and energy, exclaimed, Let us fling open the figure and let it incorporate within itself whatever may surround it. It is seen as an expression of movement and fluidity. Ours is a search for the definitive, through a succession of intuitive stages '. Unique Forms of Continuity in Space 1913, cast 1950 Umberto Boccioni Italian The Futurists celebration of the fast pace and mechanical power of the modern world is emphasized here in the sculptures dynamism and energy #MediaStorehouse. Acquired through the Lillie P. Bliss Bequest (by exchange) Security Officer, Jos Colon: My name is Jos Colon. 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Guggenheim Museum, New York City, Gordon Bunshaft for Skidmore Owings and Merrill, Lever House, Ludwig Mies van der Rohe, Seagram Building, New York City, Russel Wright, American Modern Pitchers, Glass Chair at the 1939 New York Worlds Fair, Indians of Canada Pavilion, Expo 67, Montreal, Running in sneakers, the Judson Dance Theater, Breuer, The Whitney Museum of American Art (then The Met Breuer, and now the Frick Madison), Robert Venturi, House in New Castle County, Delaware, Zaha Hadid, MAXXI National Museum of XXI Century Arts, https://smarthistory.org/umberto-boccioni-unique-forms-of-continuity-in-space/, Chapter highlight! Unique Forms of Continuity in Space depicts a human-like figure apparently in motion. To date, 17 bronze copies have been cast, ten of which are copies of already existing bronzes (so called surmoulages). Artist Rashid Rana reflects on Umberto Boccioni's "Unique Forms of Continuity in Space" in this episode of The Artist Projectan online series in which artists respond to works of art in The Met collection. F.T. Exh: It is about 44 inches high placed on a podium for a good view from any side. Let us know if you have suggestions to improve this article (requires login). The sculpture has an aerodynamic and fluid form. Both these, like the cast in the Mattioli collection, include the blocks on which the figure is standing but not the base. started out as a plaster. (121.3 88.9 40 cm, 90.7 kg) Repository Subjects Collection Container Title Stable URL https://www.jstor.org/stable/community.18477332 Source The Metropolitan Museum of Art Credit Line It is currently the closest existing approximation to Boccioni's original conception of Unique Forms of Continuity in Space, and a full-scale version will be 3D printed in late 2022. Unique forms of continuity in space Umberto Boccioni 1913 (cast in 1972) The Krller-Mller Museum Otterlo, Netherlands New aesthetic Speed and movement are the main themes of the Italian. The work was conceived in 1913 and cast in 1972; all of the bronze casts are posthumous (Boccioni fell from his horse and died . The form was originally inspired by the sight of a football player moving on to a perfectly weighted pass. Height: 46 in (117 cm). Purchased from Alistair McAlpine (Grant-in-Aid) 1972 Unique Forms of Continuity in Space depicts a human-like figure apparently in motion. I'm a security officer at The Museum of Modern Art. p.5; R.W. Polyphony Digital, the creators of the Gran Turismo series, used laser scanning methods to create an accurate replication of the sculpture. Giacomo Balla, Street Light. When studying historical photographs, it becomes very obvious that the plaster has changed its appearance over time. Unique forms of continuity in space Umberto Boccioni (1882 - 1916) Bronze 117 x 30,5 x 87,5 cm KM 121.727 Acquired with support from the Dr. C.H. Unique Forms of Continuity in Space started out as a plaster. F.T. (Newcastle upon Tyne 1972), Museum of Modern Art cast repr. His aim was to better preserve it for posterity, since the plaster had already started to deteriorate. Does this text contain inaccurate information or language that you feel we should improve or change? The major Futurist work and early 20th-century epochal piece, Umberto Boccioni's Unique Forms of Continuity in Space (Forme uniche della continuit nello spazio), will go under the hammer at Christie's New York on 11 November with an estimate of $3.8m to $4.5m.. 1913 827. . Unique Forms of Continuity in Space started out as a plaster. A small 1:4 scale 3D print of this reconstruction was exhibited at Estorick Collection in 2019 (5). Sold for $16,165,000 on 11 November 2019 at Christie's in New York Unique Forms of Continuity in Space (Italian: Forme uniche della continuit nello spazio) is a 1913 bronze Futurist sculpture by Umberto Boccioni. Unique Forms of Continuity in Space (Italian: Forme uniche della continuit nello spazio) is a 1913 bronze Futurist sculpture by Umberto Boccioni.It is seen as an expression of movement and fluidity. The sculpture was chosen because it represents the surprise and fascination of machines discovered in the beginning of the 20th century, and shares values with Gran Turismo. The plasters of 'Unique Forms of Continuity in Space' and 'Development of a Bottle in Space' were saved by Marinetti and the painter Fedele Azari, the Secretary of the Futurist Movement, who collected the pieces and stuck them together again. His goal for the work was to depict a "synthetic continuity" of motion instead of an "analytical discontinuity" that he saw in artists like Frantiek Kupka and Marcel Duchamp. Unique Forms of Continuity in Space 3D. 9 collections Community Prints Add your picture. It is seen as an. It would seem that Azari owned the plaster at this time and that it then passed after his death to Marinetti, who had two bronzes made from it in 1931 by the foundry Gaetano Chiaruzzi of Rome which were sold to the Galleria d'Arte Moderna, Milan, and the Museum of Modern Art, New York, in 1934 and 1948 respectively. (Rome 1962), Vol.2, Boccioni No.332, p.270, the plaster repr. Bronze with gold patina. Prov: 1913", "ART REVIEW; Blurring the Line Between the Present and the Future", "Forme uniche della continuit nello spazio Krller-Mller Museum", "Importante donazione della famiglia Bilotti alla Galleria Nazionale di Cosenza, si realizza il desiderio di Umberto Boccioni, il grande futurista calabrese", "Musical Composition Workshop: Unique Forms of Continuity in Space", "International Composition Competition: Unique Forms of Continuity in Space", Estorick Collection of Modern Italian Art, https://en.wikipedia.org/w/index.php?title=Unique_Forms_of_Continuity_in_Space&oldid=1115384164, Sculptures of the Museum of Modern Art (New York City), Sculptures of the Metropolitan Museum of Art, Short description is different from Wikidata, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 11 October 2022, at 05:53. The lure of the American Southwest: E. Martin Hennings, Puebloan: Maria Martinez, Black-on-black ceramic vessel, Why is that important? Omissions? The Tate Modern bronze copy (cast in 1972) was digitised in high resolution and used as a starting point for the process (2). pls.165-7 and frontispiece in colour; Aldo Palazzeschi and Gianfranco Bruno. pp.232-3 (pls.331 and 335), either the Mattioli or Milan museum bronze repr. (Milan 1969), No.166, p.111, the Mattioli bronze repr. Rashid Rana, born in 1968, is an artist working in photography, sculpture, and a wide variety of digital media. The art falls under the futurism art movement of the modernism artworks. Two bronze casts were made in 1931, one of which is displayed at the Museum of Modern Art in Manhattan. He referred to it in a letter of 4 September 1913 as 'my latest and most liberated work' (Archivi, Vol.1, p.287). This is suggested, as the piece is very solid looking by having . An icon of Modernism, Umberto Boccioni's Unique Forms of Continuity in Space stands not only as the culmination of the artist's pioneering form of Futurist sculpture, but also serves as a powerful visual embodiment of the Futurists' iconoclastic and revolutionary artistic aims.Conceived in plaster in 1913, in this, the artist's largest surviving sculpture, Boccioni has taken one of the . Unique forms of continuity in space. His most famous work, Unique Forms of Continuity in Space (1913), is one of the masterpieces of early modern sculpture. Pioneers of Modern Sculpture, Hayward Gallery, London, July-September 1973 (62, repr.) One of these (7/8) now belongs to the Rijksmuseum Krller-Mller at Otterlo. 2' in, , XXI, January 1976, p.16; Letter from Lord Bullock and reply from Douglas Cooper in, , XXI, May 1976, pp.4-5; Further letter from Lord Bullock and reply from Douglas Cooper in, , which characterize the object and enable us to see it as a whole - it is the essential interpretation of the object, the perception of life itself. Duchamp-Villon, Horse. Development of a Bottle in Space From same collection. is today almost universally represented as a bronze sculpture is not according to his wishes. It seems clear to me that this succession is not to be found in repetition of legs, arms and faces, as many people have stupidly believed, but is achieved through the intuitive search for the unique form which gives continuity in space. (Oxford 1968), pp.164-72, Museum of Modern Art cast repr. Development of a Bottle in Space From same collection. 9,399 views 1,113 downloads . Museu de Arte Contempornea da Universidade de So Paulo (cast from the original plaster in their collection specially for the Tate Gallery 1972); Alistair McAlpine, London Juno-22Junonica T.a. The sculpture has an aerodynamic and fluid form. The figure is presented armless and without clearly defined facial components but in the predominant masculine form. 3/4" (111.2 x 88.5 x 40 cm). umberto boccioni, unique forms of continuity in space The Futurist movement was striving to portray speed and forceful dynamism in their art. In Unique Forms of Continuity in Space and Head + House + Light (1911), he carried out his theories that the sculptor should model objects as they interact with their environment, thus revealing the dynamic essence of reality. The earliest bronze cast is the one now in the collection of Gianni Mattioli in Milan, who recalls that he bought it from Fedele Azari at least two years before the latter's death in 1930, that is to say by about 1928. The sculpture may reflect ideas of the mechanised body that appeared in futurist writings, as well as the superman envisaged by the philosopher Friedrich Nietzsche. [6] Two more were made in 1949, one of which is displayed at the Metropolitan Museum of Art in New York[2] and other one at the Museum of Twentieth Century in Milan. Unique Forms of Continuity in Space About the original. ; Douglas Cooper, 'Painters of Light and Mood. The years 1913-14 were marked by an expansion of Futurism into sculpture, architecture, and music. In Unique Forms of Continuity in Space and Head + House + Light (1911), he carried out his theories that the sculptor should model objects as they interact with their environment, thus revealing the dynamic essence of reality. The treatment embodies very clearly the principles set out in his manifesto 'The Plastic Foundations of Futurist Sculpture and Painting' first published in Lacerba ; Douglas Cooper, 'Painters of Light and Mood. (121.3 x 88.9 x 40 cm) Type: Sculpture; External Link: To date, 17 bronze copies have been cast, ten of which are copies of already existing bronzes (so called surmoulages). [1] The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin. Boccioni's sculpture Unique Forms of Continuity in Space (1913) sought to capture a figure in motion, transforming the human body with the suggestion of mechanical power. pl.58; Maria Drudi Gambillo and Teresa Fiori (ed.). (London 1972), p.294; exh. [12] The contours of this marching figure appear to be carved by the forces of wind Check out our unique forms of continuity in space selection for the very best in unique or custom, handmade pieces from our shops. . The sculpture Unique Forms of Continuity in Space represents a human-like figure in motion. The Futurist movement was striving to portray speed and forceful dynamism in their art. Futurism began in Italy in 1909 when a poet called Filippo Tommaso Marinetti published the futurist manifesto. (Oxford 1968), pp.164-72, Museum of Modern Art cast repr. Art and Nationalism in 19th-century Latin America. ), Marinetti; Selected Writings The art falls under the futurism art movement of the modernism artworks. [8], Boccioni's work was in plaster, and was never cast into bronze in his lifetime. He exclaimed that "these days I am obsessed by sculpture! The international composition competition and workshop Unique Forms of Continuity in Space aims to contribute to the creation of a large and eclectic body of art works, with particular significance for the relationship between music and poetry. [6] It is reminiscent of the classical Winged Victory of Samothrace, which Filippo Marinetti, founder of Futurism, declared was inferior in beauty to a roaring car. Umberto Boccioni, Unique Forms of Continuity in Space. 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[3] In 191213 Boccioni created several other sculptures[4] including his 1913 Development of a Bottle in Space. Our editors will review what youve submitted and determine whether to revise the article. The figure is engaged in pursuing one direction, almost as if it were its sole purpose; to move forward against the winds of demise. Cite this page as: Dr. Rosalind McKever, "Umberto Boccioni, Reframing Art History, a new kind of textbook, Guide to AP Art History vol. In this case, the pedestal is broken into two cubes that form the connection between the figure's feet and the ground. Unique Forms of Continuity in Space. I believe I have glimpsed a complete renovation of that mummified art. [13], In 2018, the sculpture was used as the basis of the trophy presented to the winner of the virtual Gran Turismo World Series sim racing competition held in the Gran Turismo series of racing games. 2' in Books and Bookmen, XXI, January 1976, p.16; Letter from Lord Bullock and reply from Douglas Cooper in Books and Bookmen, XXI, May 1976, pp.4-5; Further letter from Lord Bullock and reply from Douglas Cooper in Books and Bookmen, XXI, August 1976, pp.4-5 (Rome 1953), p.27, one of the early casts without the base repr. Flint (ed. [7] The lack of arms also pays homage to Auguste Rodin's Walking Man. The deconstructed masses and lack of arms, or face for that matter . The form was originally inspired by the sight of a football player moving on to a perfectly weighted pass. Boccioni: Unique Forms of Continuity in Space (Tate Modern Masterpieces) p.232 (pls.332-4); Guido Ballo. Umberto Boccioni (Italian, 1882-1916)Unique Forms of Continuity in SpaceDate: 1913 (cast 1931)Medium: BronzeDimensions: 43 7/8 x 34 7/8 x 15 3/4" (111.2 x 88. In order to match Unique Forms of Continuity in Space more closely with the reconstructed striding sculptures, it was felt necessary to make a photogrammetic copy (essentially a 3D scan) of the bronze version, then digitally reverse engineer it back to its original state with the help of photographs of the 1913 plaster. (121.3 x 88.9 x 40 cm) Type: Sculpture; . The deviations are obvious in the plaster, but they are even more apparent in the multiple bronze copies distributed around the world (1, red arrows). https://www.britannica.com/topic/Unique-Forms-of-Continuity-in-Space, Western sculpture: Avant-garde sculpture (190920). Rock Records - Electronic DivisionReleased on: 2019-11-04Compos. Facial components but in the Mattioli or Milan Museum bronze repr der Leeuw Foundation sculpture 20th century aesthetic. 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